Wimberley Plamp II PP-200

Product Information

Designed for full-frame sensors, this manual-focus optic offers a true-macro magnification ratio of 1:1 and a bright f/2.8 aperture. Available in all major camera mounts, the 100mm f/2.8 ED UMC Macro has a 15-element, 12-group construction that features high refractive and extra-low-dispersion elements for premium image quality at a price that won’t break the bank. This is a review of the Wimberley Plamp II Macro Clamp. It's a rather curious looking camera accessory and you're probably wondering how in the world you would use one. Simply put, it's acts like you have a third hand available to do your photography.

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If you’re looking for a truly budget way to enter the world of macro photography, look no further. Available in a wide variety of filter thread sizes and mount fits, this simple metal ring allows you to reverse-attach any optic with a matching thread size to your camera’s body. This lens could also double up as a fantastic portrait optic, thanks to its nine-blade circular aperture which produces beautiful bokeh in the out-of-focus areas of a scene. In macro photography, the close focusing distances and narrow apertures that are often required can lead to available light being a precious commodity, so why not make your life easier and your images more dramatic by adding some of your own! Apply pressure to the sides of the green clamp at the end of the arm. This will open the jaws of the clam. Slide the stem or leaf of your subject between the clamp's jaws, let go.To grasp a particularly delicate plant leaf or flower petal you can make the jaws of the Plamp softer and flatter by inserting a folded piece of heavy paper betwee the jaws of the clamp. If you are having a hard time positioning the Plamp so that the green clamp is not in the picture frame you may want to wrap a loop of grass around your subject to steady it. Alternatively, you may want to use a forked branch or twig with a bud to prop up your subject. You can also use a selection of household items such as rubber bands, string, pipe cleaners and twist ties instead of grass and twigs.It's just one of those things, you'll need to have some widget or tool to hold up your diffusion or reflector in the field but there is a dearth of dedicated product for this purpose out on the market.

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Some helping hands also have a magnifying glass or soldering iron holder, but you can usually disassemble the things to remove the bits you don't need. With a Multi-Angle Central Column (MACC) System that allows users to shoot from zero to 180 degrees in variable vertical and horizontal positions, the Vanguard Alta Pro 263T is a great tripod choice for macro shooters who want stability for low-level shooting. I consider the Plamp to be a necessary piece of equipment for serious wildflower photographers and recommend it highly. I am adding it to the equipment list on all the workshops I conduct where wildflower photography is anticipated." Wimberley sent me a Plamp II to review, and it's a definite improvement on the basic plamp of yesteryear. The Plamp II has a better strong clasper bolt so it doesn't come loose, a sensitive fine head to clasp the stem, a flexible stake accessory that can bolt it in the ground rather than on a tripod leg and a fine head attachment that's easier to adjust than just the original head on the flexible tubing. Helping HandI'm sure you can come up with your own creative uses for your plamp. these are just a few of the uses that have worked well for me. There are other options out there too. I bought the Wimberly Plamp II for two reasons. You can bend it in an infinite number of ways to fit it to the exact photographic situation you are in. There's also a version of it called the Wemberly Ground Plamp. Thread two or three pipe cleaners through a straw. Twist these together at one end and twist in another pipe cleaner. Twist a couple into the other end.

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Finally there is a way to stabilise those aggravating windblown subjects! The Plamp II is an easily positionable arm which can be used to hold macro subjects and other useful objects. One end of the Plamp clamps to your tripod while the other grasps the object. One day in the field with a Plamp (or two) and you will begin to realise its full potential. The Wimberley Plamp II is a must for any macro enthusiast. More If you need more reach (e.g. if you are using a 180mm or 200mm macro lens), you have three options. The first option is to attach the Plamp to an object other than your own tripod. The second option is to extend one of the legs of your tripod toward your subject and then attach the PLamp further down the leg of your tripod and thus closer to your subject. The third option is to extend the length of your Plamp by adding extra links to its arm. The trade-off to adding extra length to your Plamp is that it becomes less rigid. It was designed specifically for macro photography and I wanted a lightweight tool, easy to carry, and effective at helping me concentrate to taking great photos. The plamp's large clamp can be attached to essentially anything that will fit in its jaws. This includes nearly every tripod on the market, tree branches, furniture, stakes driven into the ground, vegetation, etc. The Plamp is designed to attach to your own tripod but it is often handy to attach it to a second tripod so that you are free to move your tripod around without affecting the subject.

If you need more reach (e.g. if you are using a 180mm or 200mm macro lens), you have three options. The first option is to attach the reflectors, which are generally held in a relatively vertical position and not fully cantilevered out, can be held and positioned confidently with a single Ground Plamp. Take control of harsh daylight with this compact diffuser from Manfrotto. Reducing the intensity of light that passes through it by a stop, and spreading it for a softer look, the panel could also be used as a windshield for protecting delicate subjects. Kenko's Auto Extension Tubes contain all the circuitry and mechanical coupling required to maintain autofocus and TTL auto exposure with most lenses, provided there is enough light. As they’re available in a wide variety of camera mount fits, there will very likely be one that works with your setup. You can use the plamp to grip a variety of objects because of several different clamping areas. The pressure from the different gripping areas are all precisely controlled by a thumbscrew to get just the right amount of grip.

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The plamp has 21 independently moving sections that give you a tremendous ability to adjust it in an infinite number of slightly different positions.The helping hands I've seen are all made out of bright shiny metal so you'll have to watch out for reflections. The Wimberley Plamp is a very useful tool that always travels with me in the field. I use the Plamp to hold a subject like a flower while I photograph it, steady a subject in the wind, and even hold a card to shade my lens to eliminate flare. It works like a third hand.” The second option is to extend one of the legs of your tripod toward your subject and then attach the Plamp further down the leg of your tripod and thus closer to your subject. A helping hand is a cheap little holding tool used in soldering that you can buy from any DIY or electronics hobbyist shop.